FRISCO – A recent eruption of sensational claims has left viewers questioning the credibility of commentary on FS1, notably from host Craig Carton, who posited that Dallas Cowboys owner Jerry Jones is maneuvering to sell the storied franchise to a Saudi investment group—an assertion made with no evident backing.
During his program, Carton suggested, “I think they’re going to sell the team. I would not be surprised if we start hearing that Jerry Jones is exploring opportunities with hedge funds in Saudi Arabia and Abu Dhabi, attempting to secure the largest payout ever for a North American sports team owner.” This claim, cushioned by phrases like “I think” and “I would not be surprised,” seemingly frees Carton from accountability should his prediction fail to manifest.
It’s crucial to note Craig Carton’s troubled history in the realm of factual reporting. In 2019, Carton faced a 3.5-year prison sentence for a fraud conviction, responsible for restitution amounting to $4.8 million to deceived investors. This past complicates perceptions of his current assertions, casting doubt on their legitimacy.
Carton didn’t stop at a single speculative comment; he delved deeper into his narrative about the Cowboys’ financial operations. “They’re streamlining their finances, shedding salaries, and not behaving like a family set on winning,” Carton argued, suggesting a waning interest from the Jones family in maintaining a competitive team.
Yet, anyone familiar with Jerry Jones’s career would find such a stance outlandish. Approaching his 82nd birthday, Jones, a Pro Football Hall of Famer, has been a constant force in football, both as a former player and a proactive owner unceasingly involved in every facet of the Cowboys’ operations. His predominant ambition remains to clinch another Super Bowl victory, a goal that seems far removed from the indifferent seller Carton portrays.
In a past interview with Mike Fisher, when discussing the Cowboys’ valuation, Jones explicitly stated, “I will never sell the Cowboys. Ever.” This commitment starkly contrasts with Cartoin’s depiction.
As Jerry Jones’s life and actions contradict the fringe theater Carton presents, it becomes apparent that Carton might be more engaged in performance art than earnest sports analysis. Such flair for the dramatic might play well on television but does little to contribute to genuine sports discourse.
